![]() ![]() With little to speak of in upfront melody, it’s nothing short of a miracle that the nimble trio can conjure a rhythmic mesmerism from track to track. In the face of its lightless assault, Kokyou De Shinu Otoko does a fine job of crafting builds that flow from internal strife to emotional implosion with relative ease. In this house, the curtains match the drapes-black hearts encased in black walls. Those seeking any form of light would do best to look elsewhere. ![]() Negative rumination on negative rumination tints each of these eight downtrodden numbers along a spectrum of grays. Kokyou De Shinu Otoko, takes many of these elements and runs them through a nihilistic sieve. Among their sporadic history of EPs and splits, Seek has displayed both great tendencies to swell in the post-hardcore vein of Envy and crash in the frenetic hardcore misery of the slower, latter-day Converge. Seek plays a sometimes nasty, often brooding form of blackened, atmospheric sludge that aims to hypnotize through the sounds of suffering. Sentenced to life, Seek had no choice but to carry on and deliver unto us the fruits of their sorrowful labor. In this heavily shadowed house resides three unhappy citizens whose days seem to be no nearer to the end than the ones that came before it. Though considering their trajectory as a long-lived band with no full-length outputs up to this point, the statement feels as deeply rooted in self-awareness as societal observation. From the grim blackness of the cover art to the translation of the title-roughly A Man Dies in His Hometown - Seek doesn’t bring even the smallest shred of happiness to the table. An existence spanning over twenty years in the Japanese underground brings an unsurprisingly bleak atmosphere to Kokyou De Shinu Otoko.
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